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Passerine Vocal Communication

Book Chapter
Mischler, S.K., Congdon, J.V., Scully, E.N., Campbell, K.A., & Sturdy, C.B.
Pages 1-7
Publication year: 2017

Introduction

Passerines include many songbirds, a group of more than 5,000 species that engage in vocal learning, similar to how humans, cetaceans, bats, elephants, parrots, and hummingbirds learn their vocalizations (Doupe and Kuhl 1999). Passerines, in general, are commonly referred to as songbirds, but this is not entirely correct. The order can instead be broken down into the Oscines and the Suboscines. Oscines (i.e., songbirds or “true” songbirds) have highly developed song and learn their species-typical vocalizations via a model (e.g., a parent) and have dedicated brain architecture. Suboscines, however, do not require a model to learn their species-typical vocalizations and continue to produce and perceive vocalizations even with damaged auditory brain regions; however, some species do have a rudimentary vocal system, the structure(s) within the brain associated with production of vocalizations, which appears to act in the same way as in the Oscines (Kroodsma and Konishi 1991). These structures include rudimentary forms of structures like the robust nucleus of the arcopallium, which could indicate an evolutionary predecessor to a true vocal control system (see more details below; Liu et al. 2013). In North America, there is only one family of Suboscines: Tyrannidae, which includes flycatchers, phoebes, and king birds. Passerines primarily communicate using vocalizations, as acoustic signals are difficult to localize (e.g., in the presence of a predator), can travel across greater distances than visual cues, and are advantageous in dense vegetation. Passerines include a wide range of species found in both temperate and tropical climates.

Mechanisms of Communication and Cognition in Chickadees: Explaining Nature in the Lab and Field

Book Chapter
Hahn, A. H., Congdon, J. V., Campbell, K. A., Scully, E. N., McMillan, N., & Sturdy, C. B.
Advances in the Study of Behavior, Volume 49, Chapter 5, Pages 147-197
Publication year: 2017

Introduction

In the modern study of animal behavior, there are broadly two main schools of investigation: behavioral ecology and comparative psychology. Behavioral ecology is the study of how ecological pressures have driven the evolution of behavior in animals, starting with Niko Tinbergen’s (1963) seminal “four questions.” Comparative psychology (and comparative cognition, terms which we use interchangeably: see McMillan & Sturdy, 2015) is the study of the convergent and divergent psychological mechanisms by which animals learn and solve problems, informed most powerfully by the work of B.F. Skinner (1938) but also taking liberally from many areas of psychology. While each of these fields are historically influenced and populated near exclusively by biologists (behavioral ecology) or psychologists (comparative psychology), these fields are interrelated and the goal of the present paper is to demonstrate how fruitful research combining these approaches can be. We will illustrate this by exhaustively summarizing a breadth of communication research in a single animal group, the blackheaded chickadee clade. Chickadees are an ideal model to examine acoustic communication, because chickadees exhibit complexity in the vocalizations they produce (for example, the types of vocalizations) and complexity in their social structure (territorial in the breeding season and group living in the nonbreeding season). In addition, chickadees learn both their calls and songs and exhibit vocal plasticity even into adulthood. Along with studying these behavioral and developmental processes in chickadees, we can also examine the underlying neural mechanisms associated with vocal learning and perception. By summarizing research conducted with blackcapped chickadees, we show how the integration of behavioral ecology and comparative psychology, along with techniques from neuroscience, acoustics, and computer science, gives a fuller picture of animal behavior than any single field of study possibly could. We begin with a brief overview of the natural history of black-capped chickadees, followed by a general discussion of chickadee acoustic communication. We next discuss the vocal production and perception by chickadees, with a major focus on bioacoustic, playback, and operant conditioning studies. We also discuss the role that development plays in vocal production and perception, and we end with a discussion of studies examining the neural correlates associated with vocal communication in this species.